CAMILLE INTSON
ARTIST CV

PERFORMANCE WORK
 
Playwriting - Select Productions
*Cancelled due to the COVID-19 pandemic.

Untitled                          Reading — Femme Folks Fest/Pat The Dog Theatre Creation, 2021.
(VR Sex Play)              Reading — WordsFest London Ontario, 2020.
                                           Development — Expect Theatre Playwright's Unit, 2020.

Patchface                      Production — Allswell Productions, 2021.
                                           Reading — Femme Folks Fest/Pat The Dog Theatre Creation, 2021.
                                           Commission & Reading — Allswell Productions, 2021.
                                           Workshop — TAP Centre for Creativity, 2019.


We All Got Lost          *Production — Theatre Aquarius/Indie Theatre Festival, 2020.
                                           Production — Hamilton Fringe/Pantheon Projects, 2019.
                                           Reading — Pantheon Projects, 2019.
 
Road                                Production — Staircase Theatre/HamilTEN Festival, 2018.
                                           Production — Newmarket National Play Festival, 2017.
                                           Production — Havana Theatre/About Love Festival, 2017.
                                           Staged Reading — The Grand Theatre London, 2017.

Marty + Joel +             Production — Alumnae Theatre/New Ideas Festival, 2018.
the Edge of Chaos      Reading — Tinkerspace Theatre/The Arts Project, 2018.
                                           Workshop — Tinkerspace Theatre, 2018.

The Last 48                  Production — Winnipeg Fringe/ArtLaunch Theatre Co, 2018.
                                           Workshop — ArtLaunch Theatre Co, 2018.
 
The Stock                      *Production — McGill University/Morris Hall Theatre, 2020.
                                           Production — Winnipeg Fringe/ArtLaunch Theatre Co, 2018.
                                           Workshop — ArtLaunch Theatre Co, 2017.
Blood Lines                   Staged Reading — Paprika Festival/Native Earth Performing Arts, 2017.
                                           Development — Paprika Festival Playwrights-in-Residence, 2016-17.
Digital Art
 
betweenspace                                                              Brink Festival/Royal Central School of Speech and Drama, 2020.
INTERMISSIONS: Works for a New World      Pantheon Projects, 2020.
Farewell, Estonia                                                        The Instagram Plays/Pantheon Projects, 2019.
Hello, Internet Audience                                         The Instagram Plays/Pantheon Projects, 2019.
Patchface                                                                      The Instagram Plays/Pantheon Projects, 2019.
Objects 2.0: London, Portrait of a City
              Pantheon Projects, 2019-21.
Installation & Conceptual Art
54 Kensington                                                             Pantheon Projects, 2021.
Objects: London, Portrait of a City                      TAP Centre for Creativity/Pantheon Projects, 2019.
the artist is present... in her own erasure           TAP Centre for Creativity/Resident Artists Show, 2018.
Musical Releases
camie - renegade (acoustic) (LP)                           Independent, 2019.
camie - Sharp Teeth (LP)                                          Smokey's Sound, 2019.
camie - Songs From Worlds Past (LP)                 Independent, 2018.
PUBLICATIONS
 
Plays
Road. Occasus, vol. 8, no. 1, 2018.
The Boy Who Bled. The Paper Street Journal, vol. 4, no. 1, 2017.
 
Poetry
 
"i shouldn't have brought my phone to the farmer's market..." / Two poems, The Temz Review, Summer 2020.
"Maker as Poet Confronts Creature as Work." FrankenZine, WordsFest London Ontario, Fall 2018.
"literary analysis", Symposium, vol. 5, no. 1, Fall 2018.
"to the city that writes my eulogy", Synaeresis Magazine, Harmonia Press, January 2017.
"Apples." Iconoclast, Fall 2016.
"McManus" & "$5 cover", Another London Anthology, Harmonia Press, 2016.
 
Short Fiction
"The Understudy." Five:2:One Journal, vol. 14, no. 1, Genesis of Freak: 5th Anniversary Issue, 2016.


AWARDS & GRANTS
 
OAC Recommender Grants for Theatre Creators (for Hello, Internet Audience) - Pat The Dog Theatre, 2021.
Gilded Hammers - The Groundbreaker Award (Nominee), 2020.
Julia Arthur Award (Best of 2019 On Stage for We All Got Lost) - View Magazine Hamilton, 2019.
Best in Fringe (for We All Got Lost) - Hamilton Fringe Festival, 2019.
Best in Venue (for We All Got Lost) - Hamilton Fringe Festival, 2019.
Reviewer's Pick (for We All Got Lost) - View Magazine Hamilton, 2019.
Alfred Poynt Award in Poetry (Honourable Mention) - Western University, 2019.
OAC Recommender Grants for Theatre Creators (for Theatre Aquarius) - Pat The Dog Theatre, 2019.
OAC Recommender Grants for Theatre Creators (for Patchface) - Pat The Dog Theatre, 2019.
New Play Contest Winner (for We All Got Lost) - Hamilton Fringe Festival, 2019.
New Play Contest Finalist (for We All Got Lost) - Winnipeg Fringe Theatre Festival, 2019.
AHSC Student Donation Fund Grant (for Objects) - Western University, 2018
.
Summer Theatre Intensive Youth Scholarship Recipient - Theatre Ontario, 2018.
Alfred Poynt Award in Poetry (Honourable Mention) - Western University, 2018.
Lillian Kroll Prize in Creative Writing (for Marty and Joel and the Edge of Chaos), 2018.
NNPF National Playwriting Competition Winner (for Road) - Newmarket National Play Fest, 2017.
Rising Star - Hamilton Music Awards, 2016.

 
ARTISTIC TRAINING
Base Training & Courses
Performance Practice as Research, Royal Central School of Speech and Drama, 2020.
Intermediate Playwriting, Royal Central School of Speech and Drama, 2020.

Advanced Dramatic Acting, City Academy London, 2020.
Industry Member and Workshops Participant, The Actors Centre London, 2020.
Theatre and Performance Studies, Western University, 2015-2019.
Playwright in Residence, Paprika Festival, 2017.
Student, Theatre Aquarius Theatre School, 2013.
Vocal Training (Jazz, Pop, Musical Theatre, Classical), Cydney London-Speers.
Dance Training (Ballet, Jazz, Contemporary, Character, Musical Theatre), Dundas Academy of Dance.
Classical Harp Training, Suzuki School of Music (under Marie Lorcini).
Masterclasses & Long Workshops
École Jacques Lecoq: A Fundamental Journey, London Mime Fest/École Jacques Lecoq, 2020.
The Poetry of Play (Weekend Retreat), Fool at Heart School of Sacred Clowning, 2020.
Youth Scholarship Recipient (Play Labs), Stratford Summer Theatre Intensive, Theatre Ontario, 2018.
Participant, Theatre Entrepreneurs' Network and Training Program, Toronto Fringe, 2018.
Sears Ontario Drama Festival, 2013-2015.
Southwestern Ontario Suzuki Institute, 2008-2011.
Short Workshops, selected.
 
Building a Safe Space Around Autobiographical Content, Louise Orwin, 2020.
The Science of Acting, Teresa Grimsditch, 2020.
Playwriting and Story (The Actors Centre London/The Old Vic), Tom Wright, 2019.
Body Conditioning for Performers, Ségolène Scheuer, 2019.
Le Jeu (Physical Theatre & Clown), Charlotte Gowdy, 2017.
Devised Theatre: "Because I Am Your Queen", Mina Samuels, 2017.
The Meisner Technique, Stefanie Jones, 2016.
Advanced Digital Media Seminar, University of Waterloo Stratford Campus, 2015.
Slam Poetry, Hamilton Youth Poets/Louder Than A Bomb Canada, 2015.
  • Instagram
  • Twitter
  • LinkedIn
© Camille Intson 2020